Sunday, May 29, 2005

--- ASPIRATION ---

To maximize personal creative talent, along with a deep passion in filmmaking; so as to produce, direct and consequently deliver well-endowed, story-driven as well as visually enticing films to the collective masses. And to satisfy personal thirst for aesthetic visual productions; I aspire to be a great film director in the short years to come. To bring out the potential Singapore filmmaking spirit to Asia and beyond.

--- PHILOSPHY ---

A film, be it a short, feature or television commercial contains more than just a story. It’s a collaboration of unique, creative and talented individuals to bring a compelling storyline, combined with detailed mise-en-scene and wonderful directions (art as well as directorial) into a finely produced piece of moving art. Be it as a form of marketing tool to sell a product or as a form of self-expression, film is quintessential of all media representations.

Interview questions...

I was prompted with a series of questions relating to FilmMaking prior to the commencement of the course. Here are my answers:

In about 100 words, tell us why you’ve joined this programme.
(you may use the following questions as a starting point)


∑ Why do you to want to be a filmmaker?
Strong passion with very strong interest in movie making.

∑ What are your key influences in life?
A personal urge and desire to do something which I will not regret not doing in my later years as an adult. Taking the initiative to do something which I have strong interests in.

∑ What are some of the films that inspire you and why?
“Amelie”, “Matrix” trilogy, “Love Me If You Dare”, “In The Mood For Love”, “2046” and etc.

∑ What are the types of films that you aspire to work on and why?
Essentially films with unconventional storylines, quirky, and also philosophical subtexts.

∑ Which filmmakers do you admire the most and why?

George Lucas: For all the sacrifices (his wife left him and he took the risks of being bankrupt twice by getting huge loans off the bank), which he made in order to bring his ever wonderful visions of Star Wars Double Trilogy to realities.

Sir Ridley Scott: For all the dramatic and powerful historical war/action movies such as "Gladiator", "BlackHawk Down" and "Kingdom of Heaven", which he enabled the masses to learn history on a whole different note.

Alfred Hitchcock: The father of modern filmmaking…do I need to say more?

Wolfgang Petersen: A veteran director who brought us the powerful WWII drama “Das Boot”, as well as other compelling movies such as “In The Line Of Fire”, Air Force One, “Perfect Storm” and “Troy”.

Wachowski Brothers: The duo that brought us “Matrix” series of excellent works! I love their subtexts about the world and our societies, which we live in general.

Jean-Pierre Jeunet: The wonderful and talented director who brought us “Amelie”, “City of Lost Children” and “A Very Long Engagement”. I like his visual art senses and directions.

Steven Spielberg: For making me understand the true brutality of war in his depiction of the 2nd World War in “Saving Private Ryan” and HBO mini-series “Band of Brothers”.

Akira Kurosawa: A fine Asian filmmaker in his own ways, I love his samurai movies (with morals as subtexts within) - "Throne of Blood", "Sanjuro", "Kagemusha", "Ran", "Yojimbo" & "Seven Samurai".

Wong Kar Wai: A director whom either you love him or hate him. But i love his visual art and music senses albeit his unconventional and obscure concepts. Titles which i enjoy are "Chungking Express", "In the Mood For Love", "2046" & "Happy Together".

∑ What do you think will be the most challenging task in filmmaking?
Personally, there are 3 immediate issues. Firstly, getting the budget to produce the film. Secondly, there’s somewhat a lack of good actors locally and getting the ideal casts for the respective characters for the various roles. Lastly, transforming the story from script to visuals.

∑ What do you expect to be the most rewarding aspect of filmmaking?
As of now, getting a feature film in the theatres and getting recognition from the local moviegoers. And perhaps then working hard to participate in Film Festivals around the world – bring Singapore filmmaking industry to greater heights.

Friday, May 27, 2005

--- Memories Reloaded ---

After 3 years of hesistations, i'm finally in a film school!

No more NATO (No Action Talk Only) for me. Time for me to put actions in place than just having thoughts in the mind - getting my short films done and hopefully to participate in Film Festivals in the region. *keeping fingers crossed* : )

1st Week. 1st lesson for Film Directing lesson. The timetables for all subjects are hectic and busy...reckon that all of us are going to be even busier as more assignments pile in.

There were only 5 students in the entire class. Not bad i would say as the lecturer would have better concentration on a smaller grp as compared to a huge crowd.

Lessons for 1st week were rather 'light'...mainly the discussions of the courses' syllabuses and how the assignments would be assessed through out the semester. As a matter of fact, i enjoy most of the lessons for this semester.

It is through much thought that FilmMaking is essentially about LIFE. Multi-layers of thoughts of how individuals' experiences in life attribute to (a) how a screenwriter writes, (b) how a director connects to the actors in bringing out the essence of the context and (c) how an editor works technically to piece up the entire visual discourse with the director. In short, they are auteurs of their respective field...

Today's Film Directing lesson is good. Concise but interessting. It helps to stimulate our thoughts in generating ideas for potential screenplays.

Sources of inspirations for stories:

1. Memories / Life Experiences of Individuals
2. Newspapers
3. Books
4. Music
5. Dreams
6. Photographs